Poking a Jellyfish with a Stick... And Hoping not to Get Stung

It seems I'm having a few problems this week getting the process going. I'm currently editing two stories concurrently (try saying that three times fast....), mostly because I figure that when I hit a roadblock on one, I can do something with the other.

This is, of course not always the case, but it does seem to be working for now.

The problem is that I'm finding myself leaning more towards the one that reads more easily than the other that needs more work. The one that needs more work needs almost a full re-write. The story just doesn't work as is. The characters are flat, the story comes to it's conclusion far too quickly, and like Pandora's Box, having unlocked the endgame, it's proving hard to stuff the crap back in there to make the darn thing work. The easy one, I'm finding I'm just skimming along. Occasionally, I hit some little thing, make a note about it and move on. Easy as pie. I can almost see the end from here (although I know I'll be telling myself to "work on this").

I just end up feeling guilty because, like last week, I spend the larger part of my time reading the good one -- ten, twenty pages at a time --, while I'm doing maybe a page a week for rewrites of the other. But, at the same time, it's hard for me to balance that out more. I just don't know, right now, how to fix the story that needs work.

Ugh. Well, I'll take the blessings with the burdens. Hopefully, by the time I've sorted the edits on the easier story, I can come back to the harder one with renewed purpose.

But, does anyone have any advice?

Butt-in-chair method has gotten all of the stories I've written thus far (4!) together, and while editing is always slow, I've been pretty fortunate that the one that's got me stumped has been the only one with the problems I'm having. Along with everything else -- shaky plot, faded characters, hard-to-work with character with perhaps too unique a problem for my writing ability -- I'm also having Premature Ending Syndrome. I feel like I've stumbled over this ending and found "Surprise! You've got nothing else here!"

And it's got me scratching my head, looking at a re-write. Maybe the sea monsters came in over night and stole the rest of the book. Things go missing, perhaps it was the kelpie. Who knows?

So, come on people. The floor is yours. What should I do? Keep on keeping on with the one that works and set this aside? Or should I set aside the easy path? Is there a real compromise between the two that can be had? I'd appreciate any and all feedback.