What I'm Reading - Thursday Next

I -- like many -- read as part of staying inspired in my writing. It is nearly as important to me as the sound tracks I write by. It refreshes me and nourishes me. It helps keep me in the mood; it helps me think about elements of the universe I'm creating by looking at what other people have done in their own.

Right now, I'm reading the first book in Jasper Fforde's Thursday Next series -- The Eyre Affair. And I'm loving it. I have always had a hard time with literary books -- they often take themselves too seriously. Meanwhile, the really playful books are often just fairy floss and popcorn -- fun, but not much in the way of substance. The thing I'm loving about this book is that somehow, it's both. There are tonnes of in-jokes and bad puns (really, the only kind of puns I love. Just ask my darling Other Half).

The world of Thursday Next is an alternate to our own, where England and Russia have been fighting the Crimean War for over 100 years, where Wales is an independent nation, and some people have the ability to move through time and into the worlds of books. The story is set in 1985 and there are two main powers controlling the globe: the Special Operations Network (a la 1984) and the Goliath Corporation. The main character, Thursday E. Next, a lowly LiteraTec Detective, SO-27, has a voice that brings to mind old detective stories -- and some newer ones. And there are elements of the world he created that I'm frankly jealous about -- I would love the ability to walk into the worlds created by books. And I would love to see a Richard the III performance like the one described in the book. It sounds like a cross between the Rocky Horror Picture Show viewings and the midnight show Shenandoah Shakespeare Express put on every year at my university. It sounded like so much fun it made me giddy. And don't get me started on the bookworms, fed on prepositions and expelling clouds of apostrophes and hyphens.

I love this book the way I love Harry Dresden books and Alton Brown cooking shows. I can already tell that this is going to be one of those books I end up reading again and again (a list I'll discuss some other time).

As you might be able to tell, I'd give this book five happy bookworms out of five.

What are you reading?

Jumping in With Both Feet - A Writing and Editing Lifestyle

One of the things I've found in the last year and a half of working on my stories is that I can't just dip a toe in. It's all or nothing. And I can only have one major project running at a time.

The reason is that a story is a lot like a mud puddle. You have to jump in with both feet to see how deep the mud is. You have to get absolutely coated in it. And that's how you know how much of a story you have, when you've surrounded yourself in your world building, you've got your mounds of research, your plotlines and all. But, if you're jumping in with both feet into the one mud puddle, you are also only testing the mud in one place at one time. You can't physically be two places at once. And figuring out that I can't be in two metaphysical places at once has certainly taken a lot of learning.

I had, up until last year, had a few stories going all at once. It divided my time and allowed me an escape hatch if one story seemed to be having trouble. And that's great, except I wasn't finishing things. Some things would go on the side burner permanently. Others, I'd probably get a few paragraphs in at a time -- wonderfully written paragraphs, but that's all they were.

You're not really getting muddy if you have a toe here, a toe there, and fingers in two other different puddles.

So, now, I have one story that I'm writing at a time. One puddle, ankle-to-neck deep. (At least, I keep hoping I won't find that I'm in over my head... ::winks::)

But what does this mean for editing? As I've said in my profile, I'm writing one story and editing two others. And that's a lot of mud to sling.

Ginny and I were talking about the best way to approach edits and I told her, I still believe it's about jumping in with both feet. There really is no best angle to get into it from, and it's hard to see just what kind of mess you have until you're knee deep in it again: then, you'll be able to see how much needs to be changed.

Even though I'm standing knee deep in my new story, and am still working towards the goals of my new story, I'm still coated -- metaphorically-speaking -- in the mud of my last two projects. And they've had time to soak in. But, I still make sure that I work on only one of those story edits at a time.

So, for each story, I jumped in. I did a read through. I made those changes I knew I needed off the bat. I marked places that I was unsure about, then I sent it out and set it aside and let it percolate. Each one in their own turn.

They're not done, of course, and won't be until they're published, but I have those pockets of mud mapped. They're on my radar. I'm not losing them, and while more rain refreshes them, they're still mine. I've left my mark on them and they've left their mark on me.

And distance, whether it had just been put aside after the first edit or sent out to friends to read and respond to my own comments, really has helped to create some clarity in things that had been, at the time, as clear as mud.

But you can't know until you jump in.

At least, that's my take on it.